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	<title>Sydney ACM SIGGRAPH &#187; Vice-Chair</title>
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	<description>A Professional Chapter of the Association for Computing Machinery&#039;s Special Interest Group on Computer Graphics and Interactive Techniques</description>
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		<title>Shilo McClean</title>
		<link>http://sydney.siggraph.org.au/bios/2007/shilo-mcclean</link>
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		<pubDate>Mon, 02 Apr 2007 12:35:06 +0000</pubDate>
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				<category><![CDATA[Bios]]></category>
		<category><![CDATA[Members Bios]]></category>
		<category><![CDATA[Speakers Bios]]></category>
		<category><![CDATA[The Board]]></category>
		<category><![CDATA[Vice-Chair]]></category>
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		<description><![CDATA[Shilo McClean is the author of the books: The Digital Playing Fields: New Rulz for Flm, Art and Performance (Currency House, Platform Paper 24, July 2010), Digital Storytelling: the narrative power of visual effects in film (MIT Press, Hardcover 2007; Paperback 2008; Second Printing 2009) and So What&#8217;s This All About Then: a non-user&#8217;s guide [...]]]></description>
			<content:encoded><![CDATA[<p>Shilo McClean is the author of the books: <em>The Digital Playing Fields: New Rulz for Flm, Art and Performance</em> (Currency House, Platform Paper 24, July 2010), <em>Digital Storytelling: the narrative power of visual effects in film</em> (MIT Press, Hardcover 2007; Paperback 2008; Second Printing 2009) and <em>So What&#8217;s This All About Then: a non-user&#8217;s guide for digital effects in film</em> (AFTRS, 1998). Recent papers include: <em>Building Bridges, Not Falling Through Cracks: what we’ve learned from ten years of Australian DVFx Traineeships</em> (SIGGRAPH 2009); <em>Children of the e•volution: the curator’s role in the user-led content revolution</em> (CPRF 2006); <em>Mapping the ‘Verse: three case studies identifying emerging models of user-generated content</em> (CPRF 2007); <em>Resourcing School: re- thinking education in a connected world</em> (CPRF 2008); and <em>FutureYou: documentary in a YouTube world</em> (Film Australia/Screen West, 2008).</p>
<p>In April 2008, she was the keynote speaker for the Norwegian Film Institute’s <em>Digital Storytelling Conference</em> and jury member for the <em>Norwegian Best Visual Effects</em> awards. In June 2008, she was the keynote speaker for <em>Framework: create</em> – an event and forum for games and convergent industries. In November 2009, she spoke at the Creative Industries Innovation Centre’s <em>Screen Business- Global Trends</em> event. In March 2010, she was a speaker at Arts NSW’s <em>Creative Industries Focus Group Workshop</em> and a participant in the <em>Digital Sydney Forum</em> in May 2010.</p>
<p>Shilo designs and conducts seminars, workshops, and lectures for industry and tertiary courses in filmmaking, digital visual effects, architecture and storycraft. She is a consultant to the Screen NSW Digital Visual Effects Scheme, Vice Chair of Sydney ACM SIGGRAPH (Professional Chapter) and was Digital Strand Curator for the 2006 &#038; 2007 Sydney Film Festivals, producing and directing a series of podcasts for the Festival site in 2006. She continued her work with the Festival as a pre-selector for the Dendy Awards in 2009.</p>
<p>Her consulting and editorial work ranges from digital image curation for games developers, strategic advice on educational/media ICT development and digital content, and the development of strategy documents and reporting in the areas of digital media/ICT. She is the editor for the Network Insight Institute and the author of various articles for industry publications including the chapter on digital visual effects for the Screen Australia‘s production management ‘Satchel’.</p>
<p>She worked with Ausfilm in the development of its international <em>Factsheet</em> series for filmmakers and with NICTA on its <em>2020 Vision and Annual Reports 2009</em>.</p>
<p>Her film credits include: <em>Adding Strings To Your Bow</em> (60 minute documentary, Producer/Director). <em>How Long Is A Piece Of String</em> (50 minute documentary, Producer/Director). <em>The Tichborne Claimant</em> (UK feature film, 2nd Unit production), <em>The Zipper</em> (digital short, Post-production Producer, selected Cannes Film Festival 1999), <em>Dreaming of Freedom</em> (Independent short film, Writer/Director/Producer), <em>The Beat Manifesto</em> (Producer &#8211; short film &#8211; Winner 3 AFI Awards, screened Cannes, Venice, Cork, Aspen, Singapore, Montreal, Toronto, Dakino, Goteborg, St. Kilda and Henri Langlois International Film Festivals), <em>Out</em> (Line Producer &#8211; short film, nominated Dendy and AFI awards), <em>Desire Lines</em> (Producer &#8211; short film, NSWFTO Young filmmakers fund), <em>Smoked Oysters</em> (Producer &#8211; music video).</p>
<p>She has a PhD from the University of Technology, Sydney and is a graduate of the Australian Film Television &#038; Radio School.</p>
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